Ruzzini Magazine
あなたが期待しないヴェネツィア
この雑誌は、歴史、伝統、物語、伝説が豊富な本物のヴェネツィアについてあなたに伝えるために正確に作成されました。ドージ・ルッツィーニの古代の住居である高貴な宮殿の壁の中にとどまり、最終的にくつろげるヴェネツィアを体験してください。
ヴェネツィアの四季:ヴェネツィアでの生活のヒント
国際的な俳優、監督、有名人、起業家は、ヴェネツィア映画祭、ビエンナーレ、レデントーレなどの主要なイベントの機会だけでなく、一年中いつでもそれを体験することを選択します。ヴェネツィアは、通り、島、ラグーンの間の隠れた角のモザイクを保護する方法を知っている都市です。 4つのセクションでは、旅程、イベント、最も本格的な味と味の場所を発見するためにあなたを連れて行きます。
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ヴェネツィア:それを愛し、それを生き、それを尊重しなさい!

Upon entering Punta della Dogana, one is greeted by a disquieting presence: Mann im Wind I (2018), a patinated bronze figure with youthful features, pushed by an invisible wind yet hopelessly stuck. Its feet are trapped in the pedestal, evoking the futile effort of movement — the tension between desire and impossibility. A monumental antihero, ironic and fragile. This is the welcome offered by Thomas Schütte, a German artist born in 1954, whose first major exhibition in Italy is now on view at this symbolic venue of contemporary art in Venice until 23 November 2025. The exhibition Genealogies, curated by Camille Morineau and Jean-Marie Gallais, is a non-linear journey through Schütte’s multifaceted oeuvre. Since the late 1970s, he has constructed a world of fragmented figures, visionary architectures, and faces that seem to question time itself. Over fifty sculptures from the Pinault Collection intertwine with a selection of watercolours, drawings, and models — some never shown before. There’s no chronological order: just the freedom to witness how motifs echo, mutate, and return, like an organic and unpredictable genealogy.

Hotel Ruzzini in Venice stands out not only for its historical charm but also for its artistic sensibility, hosting works by emerging talents. Among them is Primo Violino by Gianluca Migliorino, a tribute to expressive freedom and imperfect beauty, displayed in both its black and white versions. Discover the unique blend of art and hospitality.














































































































